1st Axiom of Flute Playing

An old saying of mine:

"It is possible to think and blow at the same time."
--Catherine LeGrand

So often,thinking seems to interfere with the release of air. Try allowing yourself to feel the air moving--then think. Fingers seem to work best when air is in constant supply.

Catherine

Celebrate Your Articulation!

Greetings,

This video demonstrates one of my all-time favorite ways to experience the feeling of good breath support, without overblowing, and is especially useful for learning to articulate with an evenly supported tone.

For more detailed descriptions of ways to use a party favor to increase awareness while practicing, have a look at these videos in the LeGrand Virtual Studio:

Episode 1: Two Common Misconceptions about Flute-Playing
Party Favors 201: Embouchure

Most importantly--HAVE FUN with your practicing! Let it be a joyful journey.

Best,
Catherine

"Whistle" Tones and William Kincaid

Greetings,

I studied in Philadelphia for several years with Kincaid "descendant" Loren Lind of the Philadelphia Orchestra.

“Notes on Flute Performance” by William Kincaid (a mimeographed relic from my days in Philadelphia) is posted in pdf form in the ARTICLES AND DOCUMENTS SECTION of the LeGrand Virtual Studio.

This document contains much insightful information -- in Kincaid's own words! I encourage you to download this document and savor the words in small doses over many days and years.

On page 2 of the document. “Notes on Flute Performance” by William Kincaid (a mimeographed relic from my days in Philadelphia) Kincaid writes:

“Learn to play, “whistle, “ or flagolet tones over low “C” and “B”. Select one and sustain it; it is excellent for breath control, embouchure, and placement. “

Over the years, I have found the benefits of this exercise for most students to be:
• Steady breath control
• Embouchure sensitivity
• Ear training

For me, the primary initial benefit was learning not to overblow.

Best,
Catherine